The ‘inversion’ aspects of the story also lends itself to some fight scenes - one in particular in an airport ‘freeport’ - which are both bizarre to watch and, I imagine, technically extremely challenging to pull off. You thought crashing a train through rush-hour traffic in “Inception” was crazy? You ain’t seen nothing yet with the airport scene! And for lovers of Chinooks (I must admit I am one and rush out of the house to see one if I hear it coming!) there is positively Chinook-p*rn on offer in the film’s ridiculously huge finale. Given that Nolan is famous for doing all of his ‘effects’ for real and ‘in camera’, some of what you see performed is almost unbelievable. Nolan has taken a cinema ‘splurge’ gun, filled it with money, set it on rapid fire, removed the safety and let rip at the screen. This is cinema at its biggest and boldest. Our hero jets the world to try to prevent a very particular kind of Armageddon while also keeping the vulnerable and attractive Kat alive. Sator is bullying his estranged wife Kat (Elizabeth Debicki) over custody of their son (and the film unusually has a BBFC warning about “Domestic Abuse”).
Recruited into an even more shadowy organisation, he’s on the trail of an international arms dealer, Andrei Sator (Kenneth Branagh in full villain mode). John David Washington (Denzel’s lad) plays “The Protagonist” - a crack-CIA field operative who is an unstoppable one-man army in the style of Hobbs or Shaw. It’s a manic, extremely loud, extremely baffling sci-fi cum spy rollercoaster that will please a lot of Nolan fan-boys but which left me with very mixed views.
The movie that’s set to reboot the multiplexes post-Covid. is the long awaited new movie from Christopher Nolan. The exposition scenes are also waayyy too brief for something this complex - a problem also shared with Interstellar actually. Either they were behind masks they were practically mumbling the sound effects were too loud or all of the above. It’s further not helped by the fact that the dialogue in the first 15 minutes of the movie is painfully hard to understand / hear. If it does, this movie is easily a 9 or 10. This movie makes the chronology of Inception look as simplistic as tic-tac-toe.Įrgo, it’s hard for me to give an accurate rating, without having seen it twice, as I’m still trying to figure out whether everything does indeed make sense. He assumes people will actually want to see ~Tenet more than once so they can understand it properly, which some may not. It’s bold of Nolan to make such a thoroughly dense blockbuster. Its somewhat ironic that a movie about time travel can’t be reviewed properly until your future self rewatches the movie.
Pictures, Mad Ghost Productions, The Stone Quarry, DC Films, Atlas Entertainment, DC Comics Legénység: Lucinda Syson (Casting), Hans Zimmer (Original Music Composer), Charles Roven (Producer), Patty Jenkins (Screenplay), Patty Jenkins (Director), Patty Jenkins (Producer) Még nem is sejti, hogy a másik oldal is toborzott néhány szuperhőst: és nem az evilági rosszal kell megküzdenie, hanem szuperképességeit szuperképességek ellen kell bevetnie.Ĭsillag: Gal Gadot, Chris Pine, Kristen Wiig, Pedro Pascal, Connie Nielsen, Robin Wright (Gal Gadot) sem maradhat tétlen: kémnek szegődik, és azt a feladatot kapja, hogy levadássza a Szovjetunió legkegyetlenebb, legveszélyesebb ügynökét. Az 1970-80-as évekbeli Európában, a közelinek látszó atomháború árnyékában igazán szükség volt hősökre. Kattintson ide a teljes film letöltéséhez
Kattintson ide a teljes film megtekintéséhez Folyamatosan frissítjük listája teljes hosszúságú filmeket. Ez az oldal a legjobb hely nézni Vaksötét 2. (2021)? Könnyen methode nézni Vaksötét 2. Miért a legtöbb ember rossz nézni Vaksötét 2. (2021) streaming HD minoségu nélkül letöltheto és felmérés. Meg lehet nézni az interneten Vaksötét 2. (2021) film teljes epizódok nélkül felmérés.